The skin is painting a concept frequently used to describe the layers of paint.
In my study, I make a connection between the skin painting and the human skin.
The skin refers to the cloth, the veil, thickness, extent, grain, weaving… I confronte within the pictorial space materials and different materials… The paint acts and reacts.
The color depends on the imponderables of matériau. Dans First, it seeks its place, or s'engloutit emerges from this pile of muddy irregularities are created. Coagulation of aerosol layers and sub-layer, thin modulations and turbulence are formed.
The below painting are important and can speak with a real crossing of the colors. Here
Skin is explored as a country, a landscape.
As an element having an independent existence and which does not depend on the form. The concepts of passages, transpiration (seepage of colors) are opposed to inertia. In a way a painting or organic which is a body of flesh.