Meridienne with tulip

The return to neo-classical sources and constructivist associated with essential sobriety in my eyes, can reveal a need for light and inner calm.

Dynamics topics offer a choice in how to approach the light on topics from always

The woman, nature.



My job I work with the oil painting by old technology that is to say that I use possibilities: glaze, smear, scraping up the printing layer, full dough, gloss, matte, etc…

Influences

Will especially like:
- Greek art and its way of looking at the human body through his sculptures (school of Praxiteles).
«When one has little to say, we talk constantly. The silence weighs only those who do not. »
- The Italian Renaissance building, the looks, drapes, the bright colors, the thinness of the dough, dullness, brightness, women, etc…
Angelico, Filippo Lippi.
- Vermeer for light
- The post-impressionists to touch the canvas. Vuillard and Bonnard.
Bonnard: «living, gushing and symbolic power of innocence»
- Russian Constructivists 20 years because the color has a prominent place in the thinking of them and also because I'm an architect.
- Abstract expressionism, especially Rothko «paintings as dramas.
- The informal function liberating especially Hartung and Fautrier.

My creative process

Regarding the paintings of women, I research the «essence» of the woman in the philosophical sense, what induces the colors, facial expression, composition, etc… There must have a perfect match of my thinking and technology.