Presentation of works FrederiqueK

I present my paintings in my studio visits and would be happy to receive you.
A canvas view in its creation environment may be better appreciated.

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Review

-Lorent Frederique krzis:
Portrait of the Artist as weigher of pearls
What counts is not the female model, but it causes disorientation. With his portraits of women-Lorent Frederique Krzis more interested in a movement of displacement and cleans itself as figuration. The site investigation of the painting is that of the woman but in an approach where the feminine is taken as the default paint to make it even more ethereal but prégnant.

The artist knows the North maintain its work on a tightrope in a dialectic between the naked and veiled. She finds a way to disrupt any tangibility to create a tension, a new focus. By his eye, his technique and his idea of the wife, the artist brings forth color in the transparent and makes each of his works a trial copy of light. Each canvas

foments a point of unprecedented openness. Shifts in color are not conscious and unconscious fantasies that operate but engendering of different types of transparency and framing. Sometimes-Lorent Frederique Krzis retains only the face, sometimes it does the opposite bodyguard that the bust. But according to the game and the unveiling of the veil. It creates a stage made of wanton abandon and restraint. Any seized across the treatment suggested and the particular color and its volumes in a pictorial technique of the most solid. It is inherited as the great Flemish and Italian painters.

In search of harmony-Lorent Frederique Krzis declines as a result of second and third look to embrace the femininity that rather than keep up its mystery when the face is exposed. This treatment creates a certain distance to return the voyeur in perplexity. In his sketches and the epidermis which covers it (or reveals) is a body-image. The "real" painting can begin, because she has something interesting to say and show. Not on the ground but inside. This is the woman who shows her privacy is painting that becomes intimate. Hence the fascination it provokes. Nothing in

-Lorent Frederique Krzis required to establish the actual table if the unimaginable force of femininity questioned deeper. To borrow the title of a painting by Vermeer the artist becomes the "weigher of pearls". It proposes a particular figurative bending. Emerges a plastic that invites shifted into a continent that belongs only to women.

Without the slightest exhibition trivial arises the deepest, most hidden. And in some ways the most sacred "in Spelunca intima intimo Sacrario already say the Florentines. The woman is in his privacy. For example in the batting of a morning. It makes its nest chamber. A light flow without being consumed in the creases, folds. Reflections arise in invisible beads of dew and a kind of innocence. We can not say if that innocence hides a form of evil because the secret is well kept. And therein lies the mystery and power of the paint-Lorent Frederique Krzis. The fullness remain the X, the unknown. However, nothing prevents

dream: each woman has (perhaps) a pearl. It weighs, without weighing. But unlike the virgin she crowned her body weight, it is not humiliated. On the contrary. And that's where the decoy himself coping: the fascination of the woman succeeded another presence. That of painting
One enjoys the presence of the paint as much as its subject. Everything goes through the interstices. As best trap us. The woman is pensive, lost in her thoughts to better absorb our own, we absorb better. She waits. It awaits our eyes. Has its fascination. Each painting takes its vibration of light. We can not wait before it. Krzis-Lorent Frederique has one goal: the tired mind, we bring in weightlessness for us to fall, succumb.

Emerges as the sexual origin. The source which dramatically raised the world is almost open in a falling motion as free as successful. Peaceful, light is light. It announces the time of interpretation, the end of exile, the end of thought. Krzis-Lorent Frederique shows us the way to escape the mourners, the Madonnas of Piero della Francesca and others. It makes the woman of our time if not an odalisque at least a pagan deity. In this dawn, the dawn boreal trickle open bite and drop that haunt us ..