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The angel Gabriel. Pedro Pedro
   
Single piece of marble plaster with patina.
Imitation of Imitation
white veined white veins can be done on virtually all types of media. From wood, canvas to the wall directly, it is important to have a completely smooth surface allows the final result to give a truer than life. For other equipment and tools, it is strongly recommended to choose carefully because apart from the human touch in imitation, they also play an important role in rendering quality.

The realization of white veined then begin by painting a white background on the support. After drying, it should be pointed with a brush to begin to map the veins with gray acrylic ink very diluted with water. It would then avoid drawing too correct veins that might remove the natural side of the work. Once the veins drawn, should immediately apply a damp sponge on plotted to create the image of very fine pebbles, blurring the veins. Let dry again. With brushes, it would take over the main veins above by applying a mixture of black acrylic ink and ultramarine blue. Iron again a damp sponge and smooth improperly parts of the image obtained with a badger hair brush. Let dry then apply the whole a very dilute mixture of naphthol red acrylic ink and water to give a semblance of depth. Then let it dry. Creating shadows with light ink, acrylic raw umber diluted with water. Ironing a damp sponge and let dry. Finally, to have the image of a real marble, he would spend layers of gloss varnish on all ..
The angel Gabriel
Art by Independent Artists,  Sculptures,  Statues
Author: Pedro
30 x  40 cm  /   11.8 x  15.7 in
Themes: Busts  /   Medium: Plaster  /   Origin: France  /   Authenticity / Provenance: Sold by the Artist  /   Artists types: Professional artists  /   Period: Contemporary  /  
 
Posted: september 4, 2009 / Modified: november 25, 2010
Copyright Pedro

Joper
Premium members Joper , January 19
Une merveille ! ! !
 
The angel Gabriel
300 €  213 £  342 $ 
Available for sale
44
Pedro
Pedro
Artist Sculptor 
57120 Rombas, France
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